Author Archives: The Box Is Empty
REVIEW – Paul A. Epstein: Piano Music – R. Andrew Lee, Piano
Paul A. Epstein: Piano Music R. Andrew Lee, piano Will Robin, program note Irritable Hedgehog Records 1) Drawing No. 5 (Triangles) 2) Drawing No. 3 (Slow Title) 3) Drawing No. 4 (Triangle, Broken Horizontal and Vertical Lines, Rectangles, and Parallelograms)
REVIEW – Paul A. Epstein: Piano Music – R. Andrew Lee, Piano
Paul A. Epstein: Piano Music R. Andrew Lee, piano Will Robin, program note Irritable Hedgehog Records 1) Drawing No. 5 (Triangles) 2) Drawing No. 3 (Slow Title) 3) Drawing No. 4 (Triangle, Broken Horizontal and Vertical Lines, Rectangles, and Parallelograms)
REVIEW – Realign the Time – Quince Contemporary Vocal Ensemble
Realign the Time – Quince Contemporary Vocal Ensemble October 2014 ––––––– Three Madrigals – Max Grafe Bantams in Pinewood Tea Fabliau of Florida 4. Squarepushers – Amanda Feery 5. Le Salève – Jonathan Sokol 6. Decantations for voices – Ravi
REVIEW – Realign the Time – Quince Contemporary Vocal Ensemble
Realign the Time – Quince Contemporary Vocal Ensemble October 2014 ––––––– Three Madrigals – Max Grafe Bantams in Pinewood Tea Fabliau of Florida 4. Squarepushers – Amanda Feery 5. Le Salève – Jonathan Sokol 6. Decantations for voices – Ravi
On Electro-Acoustic Music: Reich and Risset – Introducing Giverny McAndry – Part 2
In her last post, Giverny dealt with some of the problems of defining electronic music, and dove into Grisey’s Les Espaces Acoustiques III: Partiels (1974). Now a discussion of Reich’s Three Tales Act III – Dolly (2002) and Risset’s Eight Sketches: Duet
On Electro-Acoustic Music: Reich and Risset – Introducing Giverny McAndry – Part 2
In her last post, Giverny dealt with some of the problems of defining electronic music, and dove into Grisey’s Les Espaces Acoustiques III: Partiels (1974). Now a discussion of Reich’s Three Tales Act III – Dolly (2002) and Risset’s Eight Sketches: Duet
On Electro-Acoustic Music: Grisey – Introducing Giverny McAndry – Part 1
There’s a new voice here on the blog. Her name is Giverny McAndry, and she’ll be contributing some UK-based articles, reviews, and write-ups to The Box Is Empty. By means of introduction to her and some of her thoughts on
On Electro-Acoustic Music: Grisey – Introducing Giverny McAndry – Part 1
There’s a new voice here on the blog. Her name is Giverny McAndry, and she’ll be contributing some UK-based articles, reviews, and write-ups to The Box Is Empty. By means of introduction to her and some of her thoughts on
THE BOX IS EMPTY PRESENTS – Andrew Lee, piano – In his own words
We are very excited to be presenting pianist R. Andrew Lee performing Dennis Johnson’s proto-minimalist masterwork November. The piece is spare and meditative, and an astonishing four hours Long. It also holds the unique and auspicious place in American music
THE BOX IS EMPTY PRESENTS – Andrew Lee, piano – In his own words
We are very excited to be presenting pianist R. Andrew Lee performing Dennis Johnson’s proto-minimalist masterwork November. The piece is spare and meditative, and an astonishing four hours Long. It also holds the unique and auspicious place in American music
REVIEW – “Orchestral ‘mer’ Rewards Meditative Listening” by Sally James
* * * The sounds tumbled and drifted during a mesmerizing chamber orchestra piece by John Teske at its premiere in Seattle Saturday. Rather than take the audience on a narrative drive, the composer set loose his twenty-six chamber musicians
REVIEW – “Orchestral ‘mer’ Rewards Meditative Listening” by Sally James
* * * The sounds tumbled and drifted during a mesmerizing chamber orchestra piece by John Teske at its premiere in Seattle Saturday. Rather than take the audience on a narrative drive, the composer set loose his twenty-six chamber musicians
PREVIEW – whateverandeveramen’s #TwitterCommission
Saturday September 21, 2013, 7:30 p.m. at the University of Washington Cultural Center Theater, $10 in advance or at the door. This Saturday, new Seattle choral ensemble whateverandeveramen present the newest of their innovations: The #TwitterCommission. Composers from around the
PREVIEW – whateverandeveramen’s #TwitterCommission
Saturday September 21, 2013, 7:30 p.m. at the University of Washington Cultural Center Theater, $10 in advance or at the door. This Saturday, new Seattle choral ensemble whateverandeveramen present the newest of their innovations: The #TwitterCommission. Composers from around the
INTERVIEW – Nat Evans talks with John Teske
On September 21st and 26th in Seattle, The Broken Bow Ensemble will premier a new piece by composer John Teske called mer. For the last couple years Teske has been working with ideas about consciousness and experience through a variety
INTERVIEW – Nat Evans talks with John Teske
On September 21st and 26th in Seattle, The Broken Bow Ensemble will premier a new piece by composer John Teske called mer. For the last couple years Teske has been working with ideas about consciousness and experience through a variety
AUDIO – Evan Smith plays “Two Old Ghosts” by Nat Evans
Last Friday Evan Smith played the very first solo recital presented by The Box Is Empty. From that show, here is Nat Evan’s Two Old Ghosts. Be sure to click the links to visit their Artists Page on this site
AUDIO – Evan Smith plays “Two Old Ghosts” by Nat Evans
Last Friday Evan Smith played the very first solo recital presented by The Box Is Empty. From that show, here is Nat Evan’s Two Old Ghosts. Be sure to click the links to visit their Artists Page on this site
THE BOX IS EMPTY PRESENTS – Evan smith, Saxophone
Program The Garden of Love for soprano saxophone and electronics by Jacob TV Sonata for alto saxophone and piano by Jindrich Feld Two Old Ghosts for alto saxophone and electronics by Nat Evans Like Quicksand for unaccompanied alto saxophone
THE BOX IS EMPTY PRESENTS – Evan smith, Saxophone
Program The Garden of Love for soprano saxophone and electronics by Jacob TV Sonata for alto saxophone and piano by Jindrich Feld Two Old Ghosts for alto saxophone and electronics by Nat Evans Like Quicksand for unaccompanied alto saxophone
The Box Is Empty 